Skip to main content

This Timeline traces the Events of the Batman Mythos entire … as actual Events within the Mythos and Consciousness of the Collective.

The New 52 represented a total brand reset of all of DC’s characters and their storylines. However, why a “reset” such as this doesn’t really work and feels unsatisfactory is due to the nature of memory. A simple reset does not erase memories from the Collective Consciousness, for they are etched through Time via Quantum Entanglement. When any story is referenced to a specific year in the careers of any of these superheroes, as far as memory and association go, the stories are amalgamated into previous storylines automatically. The audience doesn’t so simply forget past Events they were Witness to. That’s why the 52 concept didn’t entirely work. But what it did do is create something much more interesting. And that’s what this Timeline represents.

What the 52 concept actually did is create Bardo Interstates in which these characters effectively live in as parallel realities to the Events that previously did occur in the Collective Mindscape (or Idea Space as Alan Moore would put it). They are essentially additional branches off the original trunk of the Tree. And while DC pre-FLASHPOINT viewed these “discrepancies” as errors in continuity, a holistic view of Space and Time offers a different perspective – for in actual Space and Time, every possibility in consciousness is explored. Every decision leads to an Event. Each Event causes a splinter line out from the original or “historical” timeline – what we contemporarily view as the narrative, which is one of the fundamental human errors in interpreting our Reality.

Reality does NOT follow a narrative structure. You’ve only been conditioned to believe it does according to an ancient human addiction to narrative. And despite what you’ve been told or taught, there is no beginning, middle, and end… there is only NOW. There will only ever be NOW.

So how do we understand Events and Time within a Quantum Now? And how does this change how we can tell stories?

You’ve inevitably been faced with several big decisions in your life – many of which seemed incredibly difficult due to the idea of impending consequences from those decisions and how that would essentially change the “narrative structure” of your life. In order to illustrate this for you further, let’s select “the decision on whether or not to go to college” as one of these fundamental choices common in contemporary life.

When facing most big decisions, most of us project our consciousness outward into the possibilities inherent through the imagined Events that “might” play out. When contemplating going to college, one may visualize their self going to classes, spending long hours in the library, falling in love, going to parties, etc. When contemplating not going to college, one may visualize themselves traveling the world, hitting the workforce immediately, staying at home where they feel secure, etc. Usually these Events focus in on one specific moment… one freezeframe… where every detail is filled in… from the smells to the fashion to the feeling in the atmosphere. The details flesh out so entirely, that there feels like there is an inevitability built into the Event – and is usually accompanied by a strong emotion, such as fear, desire, lust, love, excitement, etc. This is actually this moment the consciousness enters Event Horizon, and the actual decision is made, despite the deliberation and “hard thought” that may be put into it afterwards.

What is truly interesting, despite what Event is chosen or not chosen, both decisions will be made by a version of your SELF, which will experience the entirety of those various Events, throughout every possible avenue of their expression. The experience that you “live through,” is actually a single possibility holographically projected into the 5th Dimension…